7/31/25 collage completed / a very interesting article on Kos by Philip Tarlow

7/31/25 collage, 14x18” on bristol

BELOW: 7/31/25 COLLAGE yesterday (left) and at the end of my painting day today

BELOW: 7/29/25 COLLAGE as it looked on 7/29 (left) and following today’s changes

1:59 PM: i worked on yesterday’s 7/31/25 collage and completed it, rtaher elegantly i’d say. and i also simplified and improved 7/29/25 collage, which retained some of the more successful elements fropm the previous verson and getting more white space, allowing the entire composition to breathe deeply.

Japan’s Quiet Rebellion Against Growth: Instead of striving for more, Japan simply chose less

Something strange is happening in Japan—not with its politics or its technology, but with its spirit. Quietly and without fanfare, the country appears to be opting out of the global race for growth. Its economy is stagnant, its birth rate declining, its appetite for innovation dulled. But more striking than the numbers is the cultural shift behind them. Young Japanese are not merely failing to strive—they are choosing not to.

They are working fewer hours, skipping promotions, and living modestly. They are renting instead of buying, saving rather than investing, and increasingly uninterested in romantic or sexual relationships. To Western economists, this is deeply troubling. To politicians, it’s a puzzle. To the people living it—it may not be a problem at all.

What if this isn’t economic malaise, but existential clarity?

The American Dream, like the postwar Japanese dream, has long equated freedom with consumption. But freedom might also mean the ability to stop consuming, to step off the treadmill without shame, and to find dignity in simplicity.

READ THE FULL ARTICLE HERE:

https://www.dailykos.com/stories/2025/7/31/2336178/-Japan-s-Quiet-Rebellion-Against-Growth-Instead-of-striving-for-more-Japan-simply-chose-less?pm_campaign=front_page&pm_source=trending&pm_medium=web

7/31/25 COLLAGE by Philip Tarlow

7/31/25 collage, 14x18” on strathmore bristol, as she looked at the end of my painting day today.

1:51 PM: i started a new collage this morning: 7/31/25 collage,” 14x18” on strathmore bristol. gotta stop early because we have a meeting to attend this afternoon. more tomorrow…

7/30/25 COLLAGE by Philip Tarlow

7/30/25 collage, 14x18” on strathmore 500 bristol paper as it looked moments ago

3:39 PM: today i decided to make a larger collage, 14x18” on bristol.. i’ve been working on it most of the day. i wanted it to have more white space to breathe than yesterday’s, and so far i’ve accomplished that. i could possibly leave it in the current state; tomorrow will tell the story.

“7/29/25 draw-lage” / a 1997 gouache of our valley by Philip Tarlow

7/29/25 draw-lage, 11.5x14.5” drawing & collage on strathmore 500 bristol as she looked at the end of my painting day

2:35 PM: i made up draw-lage to indicate that this is a drawing using colored pencil and crayons, with collaged elements. i was moved this morning to take a piece of strathmore bristol 500 to create this 11 1/2x 14 1/2” piece. the thickness of the bristol allowed me to collage freely with wrinkling, as a thinner paper would have. included in the collaged elements is a cut up ‘90’s drawing i made and abandoned, which i found in my large pile of works on paper.

some pieces of collaged paper contain gestural marks using a fan brush dipped in black ink.

my work table as it looked following work on the collage

the san luis valley, 1997, 4.5x10.5”, gouache on paper, painted in my car one afternoon

12:17 PM: this 4 1/2 x 10 1/2” gouache on paper was painted in 1997. during that period i would drive out to various spots in our san luis valley and make little studies in gouache or watercolor while sitting in the car. this is one of them.

tweaks to "watercolor/collage 7/25/27" & "watercolor/collage 27" by Philip Tarlow

11:02 AM: so far this morning, i’ve made tweaks to both watercolor/collage 25 & watercolor/collage 27.

1:24 PM: 7/25/25 watercolor/collage has become a very different piece and is now a flower painitng, with elements of the earlier version floating about.

7/27/25 watercolor/collage by Philip Tarlow

7/27/25 watercolor/collage, 7.5x11” watercolor. colored pencil and collage on arches watercolor paper

3:27 PM: today i spent the entire day working on this new 7.5x11” 7/27/25 watercolor/collage. it has gone through at least 8-10 stages, until i finally arrived at what you see here. it has lots of collaged elements, which usually cover areas that i spent lots of time on, but ended up being too busy. i’ll take it back to the house now and see how it works with the others i’ve done over the past few weeks.

7/25/25 watercolor/collage, day 2 by Philip Tarlow

7/25/25 watercolor/collage, 7.5x11” watercolor, oil pastel and collage on paper, as she looked at the end of my painting day

1:25 PM: after spending the whole morning struggling to set up my new printer, which was sent by epson as a replacement for the one that stopped working and was still under warranty, iproceeded to continue work on 7/25.25 watercolor/collage. little remains of yesterday’s versoin, which is not unusual when i’m making this series of works on paper. cutouts of karaghiozis figures from a printout i made of a spatharis painting continue to play a key role. spatharis and his son were central figures in the evolution of greek shadow theatre, the central figure being karaghiozis himself.

BELOW: day one on the left

7/25/25 watercolor/collage, day 1 by Philip Tarlow

2:45 PM: this morning i prepared 6 new surfaces for watercolor/collages. i cut the arches paper into 7.5x11” pieces and mounted them on board. so this is the first piece of six, on day one. i’ll pick up where i left off tomorrow morning.

7/25/25 watercolor/collage, 7.5 x 11” on arches watercolor paper, as she looked at th eend of day 1

7/23/25 watercolor/collage by Philip Tarlow

7/23/25 watercolor/collage, 11.5x14.5” watercolor, colored pencil & collage on bristol

2:04 PM: i took what is now 7/23/25 watercolor/collageto the next stage today, collaging pieces of paper & a piece of map, and using blue watercolor around the figures.

"moonlight" / 7/23/25 watercolor day 1 by Philip Tarlow

moonlight, 32x38” oil & collage on portrait linen, as she looked at the en dof my painting day today

2:46 PM: i made further changes to the ever changing moonlight this morning, and started work on a new watercolor, which for the moment has no collaged elements and no watercolor; it’s just a colored pencil drawing for now.

7/23/25 watercolor, 11.5x14.5” colored pencil on paper