breakfast drawing by Philip Tarlow

in the next stage of o-daiko, the drummers have been paintyed over and an interior is taking their place. this interior is from a photo i shot in 1995.

o-daiko 72×28”, oil on linen, as she looked at the end of my painting day today

breakfast drawing 11-11-24, colored pencil & watercolor on paper

11:54 AM: i’m getting into the habit of making a drawing as i eat breakfast here in my studio. today i used the bottles of pills on my desk and proceeded to make a drawing with colored pencils and a tad of watercolor.

O-Daiko, 72x28" day one/ (became parisian interior on 11/13) by Philip Tarlow

12:55 PM: i started a new painting titled O -Daiko on the canvas i stretched yesterday. at the end of the day yeasterday, i went over the entire surface with the color you see here. it was not fully dry this morning, so i worked into it and my brush did pick up a little of the french ochre havane pigment.

O-Daiko, 72x28” as it looked moments ago.

cafe drawing / paintings on my north studio wall by Philip Tarlow

11:41 PM: i’m writing this from the coffee shop/restaurant in crestone. we’re here this morning because our internet is down due to a worn out/broken modem, which they can’t come out from alamosa and replace till tuesday. so we’re on the cafe internet; interesting to be without internet!

i may get to the studio later today and get some work done, although i was able to make a drawing here at the cafe, of a guy sitting at our table.

BELOW: paintings on my studio north wall: upper left: study of gorky painting. then there are 5 recent collages on paper and finally, on the right, a study of a vermeer portrait in oil on linen, painted about 15 years ago, along with other similar studies.

exposed flight & celebration 6 whited over by Philip Tarlow

2:19 PM: 3 whited over canvases i’ll be working into during the coming week.

celebration 6, 16x16” partially whited over today

exposed flight and celebration 6 on my studio floor, after being whited over

12:56 PM: i’m in an odd place right now with my work. i do something, like what i did yesterday, then the next morning i think it’s gross. so i proceeded to do one of my favorite things: the whiteover. never an opaque layer of white; thin enough to allow some underlying pieces of the composition to appear, faintly.

i won’t work back into them until they’re about 70 percent dry tomorrow morning, when, we hope, we’ll know the outcome of todays all important election.

day 3, "exposed flight" / REVISITING celebration 6 / yesterdays sky by Philip Tarlow

12:53 PM: exposed flight has once more become a vertical, as it was on day 1. i made a drawing of tree trunks using a warm brown color, adding deep blue water and a warm pink between the branches. this was, of course all inspired by a couple of print outs of my many creek photos. what peeks through is some of what i did yesterday, with the head of one of the two drummers, inspired by the photo i shot on the tv screen, of fred armisen. earlier, i had drawn lines in black compressed graphite, dividing the entire canvas into cubes, some of which can still be seen.

at the end of my painting day, i modified celebration VI, 16x18” which was last worked on march 25. below is the earlier version (left) and todays

day 2, "exposed flight" by Philip Tarlow

exposed flight, 12x56” as she looked at the end of my painting day today

3:21 PM: exposed flight is now a horizontal, with two drummers dominating. one, a female taiko drummer, was inspired by photos i shot during a taiko celebratory event here in crestone.

after applying numerous collaged pieces of paper earlier, i flipped the canvas 90 degrees, which is when the drummers began to appear. my process may seem convoluted, but this is who i am. as i’ve said before, 6 decades of painting have lead me to this point, and all my lessons along the way lie beneath what i did today.

to be continued tomorrow. right now, the predicted snow is about to arrive, and i’m headed back to the house before it begins.

12:52 PM: i began collaging exposed flight this morning, enjoying the extra hour we gained this morning!

i flipped it 360 and am learning from the new perspective.

"exposed flight", 56x12" by Philip Tarlow

3:26 PM: yesterday i strated a new 56x12” painting: exposed flight. this is a very early stage, the two figures on the lower portion have appeared in earlier paintings and were inspired by two paddlers i saw from a bridge over the river in alamosa, colorado. i’ll pick up where i left off tomorrow morning.

exposed flight, 56x12” as she looked moments ago

stretching a new canvas / fayum study by Philip Tarlow

12:39 PM: today i’m stretching a 12x56” canvas in preparation for a new painting.

12:11 PM: this is a fayum study in oil on canvas, that i made a few decades ago in the british museum. it hangs now in our home.

sunset yesterday, looking West from our house