next stage of “celebration 27” / portrait of a friend / small oil of my grandson philip /  by Philip Tarlow

celebration 27, 32x36” oil on portrait linen, as she looked at the end of my painting day

3:10 PM: i added that violet brush stroke to the right of the tennis player; otherwise everything is the same as it was in the earlier version i posted at 1:56 PM.

celebration 27, 32x36” oil on portrait linen, as she looked moments ago

1:56 PM: in other words, almost 2pm! i continued work on celebration 27 this afternoon, taking a few cues from klee.

portrait of a friend, 10x12” oil & collage on portrait linen, as she looked moments ago, at the end of my painting day

3:15 PM: i’ve been working on this 12x10” portrait of a friend for the past 3 days. i may have resolved her today, when i added the red & green stripes, added another tree to the ones already there in wang meng’s 14th c. calligraphic piece & tweaked the figure.

12:28 PM: i made this tiny oil portrait of my grandson philip in 2007, when he was 15 months old.

2007 portrail of philip, oil on linen, 8.8x13.4 cm.

celebration 27 continued /  by Philip Tarlow

celebration 27, 32x36” as she looked this afternoon at the end of my painting day

4:07 PM: i had taken steps towards a composition with multiple figures yesterday but today i found myself getting excited about a photo of one of the tennis players in the us open. we’ll see where she goes tomorrow.

re-visiting "words & worlds" /  by Philip Tarlow

words & worlds, 42x40” which was completed on april 20, ‘24

2:37 PM: i completed words & worlds, 42x40” back on late april. since then, being one of my favorites, it’s been hanging on my studio wall. this afternoon, i shot a few details of the painting, which you see here.

all morning i’ve been working on a 12x8” potrait of a friend here in crestone, which i’m not going to post for reasons of privacy. if he feels ok with me posting it, maybe you’ll see it tomorrow. this is just day one, and there’s still a lot to do. the portrait is from aphoto i shot of him a while back. he was kind of surprised that i was going to make this painting of him, so i explained that, during my 15 year stay in greece, i made quite a few portraits; many of construction workers from a site near my studio at the time. whevever i glanced at the printout of the photo, i felt a longing to paint a portrait. so i found a piece of portrait linen, upon which i had painted a dark grey ground some time ago, and transfered a tracing of the photo onto the canvas. let’s see where she takes me tomorrow.

celebration 22 detail / minoan celebration /  by Philip Tarlow

with minoan celebratiopn

DETAIL of celebration 22, following the modifications and improvements i made yesterday, especially to the figures.

10:26 AM: yesterday i worked more on celebration 22, which i had last worked on 3 weeks ago. gazing at it this morning, i think it’s a much better painting now. here’s a detail:

more work on "celebration 22" today /  by Philip Tarlow

2:29 PM: i made more modifications to celebration 22 and am done early for the day. we’ve got another intense thunderstorm happening & i’m ready to be home.

ABOVE: celebration 22, 32x36” as she looked on 8/16/24, and on the right following todays work

11:55 AM: following an intense thunderstorm with heavy rain & hail this morning, the sun is back out. i wasn’t happy with celebration 22; there was way too much going on, taking our eyes away from the 4 stages of exercises of the girl gymnast from the 2024 paris olympics.

12:22 PM: i think i’ll continue mking modifications & post when i’m done.

1998 panoramic landscape gouaches /  by Philip Tarlow

panoramic landscape painting 1, 5x28” gouache on paper

panoramic landscape painting 1, 5x28” gouache on paper (there was somehight falling on the plastic covering; i’ll post a better shot tomorrow

4:23 PM: as i went through a number of landscape paintings in gopuache on paper, i came across these two. during that period i was making paintings on paper. some of the landscapes that i found inspiring, usually in late afternoon light, required thati painted imany of them as i sat in the car. these are two of them. lots of prep goes into this; i needed to have all my materials readlily accesable in the car, which needed to facing the right direction so that i could see the landscap but not have any direct sunlight falling on the paper or the palette.

studio view today / detail of "Celebration 26" /  by Philip Tarlow

studio view this afternoon, with many celebration series paintings hanging on my east wall, the most recent is in the center

DETAIL of celebration 26, 36x36” oil on portrait linen.

12:40 PM: this is one more detail of celebration 26, which i completed yesterday. so today i’ll be stretching more canvasses so that i can start something new tomorrow morning.

celebration 26 breakthrough /  by Philip Tarlow

celebration 26, 36x36” oil on portrait linen, as she looked at the end of my painting day.

3:09 PM: i worked on celebration 26 on & off from noon till now. i’m calling this a breakthrough for what seem to me obvious reasons. i was attempting to modify the composition to allow all 5 figures to work together in the composition. and i think, in the final half hour of working on it, i was able to do just that and more. the and more refers to that unplanned, unexpected flash of light that guides your hand and brush to do what no planning could ever accomplish: majik!

if you click on the detail to the right here and make it full page on your computer, you’ll see what i mean.

celebration 26, day 2 /  by Philip Tarlow

celebration 26, 36x36” as she looked at the end of my short painting day today

1:58 PM: i had to cut short my painting day today so i could get to the doctor in alamosa & have my gum boil checked out. they’ll likely prescribe an antibiotic till i can get to the dentist on tuesday.

i was able to do more work on celebration 25, partially filling in the drawings i made of a drummer and a woman on the beach shooting a photo with her phone. i went over the black surrounding the female basketball player with dark grey, since the black was too strong.